Aronofsky, Iñarritu films set for Venice Film Festival
Darren Aronofsky’s “The Whale,” the Marilyn Monroe drama “Blonde,” Alejandro González Iñárritu’s “Bardo, False Chronicle of a Handful of Truths” and Guadagnino’s “Bones and All,” with Timothée Chalamet, will all have their world premieres in competition at the Venice International Film Festival this fall.
Willem Dafoe was concerned his return as the Green Goblin in 'Spider-Man: No Way Home' would simply be a 'power cameo.' He insisted on coming back only if he could do action scenes.
In a behind-the-scenes interview for the film, Dafoe said he'd only return for "No Way Home" if it was more than a cameo.
news.yahoo.comTom Holland says the first time he met Willem Dafoe on the set of 'Spider-Man: No Way Home' he had no idea who he bumped into because the actor was wearing a cloak for secrecy
Tom Holland told fans how he accidentally bumped into the legendary actor while on the set of the new Spidey movie while he was keeping a low profile.
news.yahoo.comPopcorn With Zenger: ‘The Card Counter’ Is A Mesmerizing Exploration Of The Human Condition
Though Scorsese might seem to be the only draw for this movie, narrative-wise, it isn’t a bad story. But much like Cirk, Tell has his own demons that he is refusing to face. Bright Spots: The central story of “The Card Counter” doesn’t have much to do with Gitmo, as Guantanamo is known, even though there is plenty of social commentary on the problems with American imperialism. The Takeaway: “The Card Counter” is a great character study of a man struggling to atone for a troubled past. See or Skip: While a stronger finish would have made “The Card Counter” one of 2021’s best films, it is still sound enough to get a strong recommendation for those looking for a quality flick this weekend.
thewestsidegazette.comOscar predictions: What will win, what should win
Should Win: Aside from “Dunkirk,” which I saw three times in theaters, “Lady Bird” is the movie I want to watch over and over again. COYLE:Will Win: There are five movies with a legitimate shot to win, which makes this year more difficult than usual to call. Should Win: I’d be thrilled if “Dunkirk,” ″Get Out,” ″Lady Bird” or “Phantom Thread” took home the top prize, but “Call Me By Your Name” stood apart for me. Her character in “Lady Bird” is one of the finest working mothers I’ve ever seen in movies. Should Have Been a Contender: When I saw Brett Morgen’s transcendent Jane Goodall documentary “Jane,” I assumed it would win the Oscar.